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Johannes Schöllhorn |
éditions musicales européennes | ||||||||||||||||||||||||||||||||||
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Born in 1962, he
studied composition with Klaus Huber, Emanuel Nunes and Mathias
Spahlinger, and musical theory with Peter Förtig. He also
attended conducting courses with Peter Eötvös. He awarded
many prizes in composition competitions and he is laureate of the
Foundation Strobel at the SWR, of the Gaudeamus Foundation and the
Kunststiftung Baden-Württemberg.
In 1995 he was awarded the Comité de lecture of the Ensemble
Intercontemporain and in 1997 he composed "Rondo" for violin and
chamber orchestra for this ensemble.
His chamber opera "les petites filles modèles" was played many
times in Paris and France and had in 1997 its premiere at the Opera
de Bastille.
Besides his own compositions Johannes Schöllhorn is also working
on different kinds of transcriptions, i.e. he has made an own version
of Pierre Boulez' "...explosante-fixe...".
Johannes Schöllhorn was teaching from 1995 to 2000 at the
Musikhochschule Zürich-Winterthur (CH). He was conductor of the
Ensemble für Neue Musik at the Musikhochschule Freiburg (until
2004) and since 2001 he is Professor for composition at the
Hochschule für Musik und Theater Hannover.
Johannes Schöllhorn gave several composition courses at the
Fondation Royaumont (F), in the Ictus-Seminar (B), at the
Irino-Foundation (Japan), at the Bartók-Festival (HU) at the
Conservatory of Music in Tianjin and the Central Conservatory of
Music in Beijing (China).
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Anamorphoses
"Anamorphose" bedeutet Gestaltwandlung, Verzerrung.
Es ist ein Begriff, der in der
Mein
Stück “Anamorphoses" verwandelt und verzerrt seine musikalische
Vorlage, drei
Kunstgeschichte vor allem für Gemälde des
Manierismus des 16. Jahrhunderts angewandt
contrapunctus (6, 1 und 9) aus der “Kunst der Fuge"
von J.S.Bach, wobei die Bearbeitung
wird.
Anamorphotische Gemälde zeigen, je nachdem, aus welcher
Perspektive oder Richtung
dennoch
notengetreu der Vorlage folgt. Für den zweiten Teil der Musik
hat Manuela
man sie
betrachtet, ganz Verschiedenes in der Darstellung. So kann zum
Beispiel in der
Morgaine
Textausschnitte aus “Comment une figue des paroles et pourquoi"
von
Frontalansicht eine Landschaft, von einem
schrägen Blickwinkel aus aber das Profil eines
Francis
Ponge zu einem neuen Text zusammengestellt, der eine Gestaltwandlung
von
Menschen
sichtbar werden.
Sprache in
Musik zeigt. "Anamorphoses" entstand 2001 im Auftrag des Ensemble
Ictus.
Johannes
Schöllhorn
« Des
sensations fortes nous parcourent également lors du concert
des Percussions de Strasbourg. [...] En abondance à
l'écoute de Red and Blue de l'Allemand Schöllhorn
(né an1962), issu de mutations hystériques et
séraphiques graduées. »
Pierre Gervasoni, Le
Monde
“Schöllhorn
webt in Senza Parole für 32-stimmigen Chor das
Stimmengeflecht so raffiniert, dass weder der Eindruck eines
chorischen Unisono noch von solistischen Parallelaktionen entsteht:
wahrhaft ein Chor-Orchester."
Gerhard Rohde, Neue Musik
Zeitung
Ictus presents
sparkling cocktail
One of
the most agreeable aspects of contemporary music is the variety of
what is written. This makes it possible to combine pieces that are in
themselves very different but which together yield an interesting and
colourful mix, as in this delightful concert by Ictus.
One can of course find points of contact between these works: the
absurd touch in the pieces by Unsuk Chin and Johannes Schöllhorn, the sound exploration by
György Ligeti and Jonathan Harvey, and of course the fact that
the oldest composer in the programme (Ligeti) was the teacher of the
youngest (Chin). But each of the works chosen had its own identity
and character and set personal accents, and this gave the concert an
added value on top of the exemplary performance by Ictus.
[...]
Johannes
Schöllhorn's Anamorphoses was a very witty work, containing a
Bach parody in which the Kunst der Fuge was replaced by Francis
Ponge's absurd text L'art de la figue. The nice thing is that this piece
has no pretensions whatever, but is very well made and, what is more,
has a cheerful iconoclastic feel. [...]
De Standaard, February 4th,
2002, Maarten Beirens
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"Oeuvres" Der Vorhang geht auf. - Hexagramm -
musarion - Hand-Stücke - les ombres-die schatten -
Schlussvignette & Retraiteschuß
(C.Gautier, G.Knox, F.Rivalland, Ch.Dierstein, C.Delume,
M.Th.Ghirardi, W.Hoogewerf, ensemble recherche, M.Foster)
Accord/Musidisc 201 622
"parodies
& paraphrases" berstend-starr - madria - about the seventh -
Marien-Lieder - Ralentir travaux
(A.Angster, T.Anzelotti, J.Nied, S.Kamphues, Cl.Schubert, S.Otto,
ensemble recherche, E.Pomarico, M.Foster)
Accord/Musidisc 205 542
Ralentir travaux auf: Dokumentations-CD der Wittener Tage für neue Kammermusik 1994 WD 04
about the seventh auf: "For Stefan Wolpe" (ensemble recherche) Montaigne/Auvidis MO 782048
madria auf: Dokumentations-CD der Wittener Tage
für neue Kammermusik 1994 WD 05
"Lichtspielmusik" (Bearbeitungen, ensemble
recherche)
Filmmusiken von Schönberg, Hauer und Schreker
Montaigne/Auvidis MO 782068
Descriptions automatiques (Bearbeitung) auf:
"Mélodrames francaises" (C.Gautier, Ensemble
Musikfabrik, J.Avery)
Accord/Universal 465 283 2
Der Vorhang
geht auf. Das Theater stellt ein Theater vor.
(Caroline Gautier, ensemble recherche, Mark Foster)
Musik inDeutschland 1950 - 2000
CD des Deutschen Musikrats, RCA
in nomine auf: The Witten In Nomine Consort Book (ensemble recherche) kairos
in preparation :
portrait kazabana - tiento - pentagramm u.a. (Ensemble Ictus, G.E.Octors)
l'art de la figue (Manuela Morgaine, Ensemble Ictus, G.E.Octors) Assai / Musidisc
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Brandung
(83/84) SSAATTBB (8 soloist voices, unpublished)
Ginsterlicht (83/84) SSAATTBB (choir or soloist voices,
unpublished)
musarion
(85/86) viola solo (Una corda / Lemoine)
Windmaschine (85) 4 recorders (in C) (Moeck Verlag
Celle)
Septett
(86/87) SABar (soloist voices), vl., 2 violas, cello
(unpublished)
Schlussvignette & Retraiteschuss 3 Versions : string trio
(87), trio basso (88), 3 cellos (88) (Una corda / Lemoine)
Hand-Stücke (87) percussion solo (Una corda /
Lemoine)
Hexagramm
(87-89)
for 3 guitars (Guitar sop., Guitar, Guitar bass. (Una corda /
Lemoine)
Der
Vorhang geht auf Das Theater stellt ein Theater vor. (89) Melodrama after a text by
Ludwig Tieck
Speaker, cl. / cl. b., horn, vl., cello, perc. - Commissioned by
Fondation
Royaumont, (Una corda / Lemoine)
phanias
(89) for solo violin (unpublished)
les ombres
- die schatten (90) 2 percussions - Commissioned by Landes
Baden-Württemberg (Una corda / Lemoine)
a garland
(90) 2
Versions :
fl, clar, vl, cello (unpublished)
SATB (choirs or soloist voices / unpublished)
Pentagramm
(90/91)
piano, 4 percussions - Commissioned by Landes Baden-Württemberg
(Una corda / Lemoine)
berstend-starr (91/92) fl., cl. / cl. b., pno, perc.,vl.,
viola, cello - Commissioned by Landes Baden-Württemberg (Una
corda / Lemoine)
Marien-Lieder (91/92) 3 alto voices ( Commissioned by WDR
(Una corda / Lemoine)
about the
seventh
(92) fl., oboe, pno, perc., vl.,cello, d.-bass -
Commissioned by WDR (Una corda / Lemoine)
Ralentir
travaux
(92/93)
fl.,
sax., cl. / cl. b., pno, perc., vl., viola, cello, d.-bass
Commissioned by town of Witten and Siemens-Kulturprogramms (Una corda
/ Lemoine)
vor Augen
(93) after a text by Martin Kaltenecker
Speaker, fl., cello, pno ( Commissioned by Südfunk Stuttgart
(Una corda / Lemoine)
vom Ende
bis (93)
9 strings solo (3 vl., 3 violas, 3 cellos) (Una corda / Lemoine)
madria
(93/94)
cl. b., acc., d.-bass - Commissioned by Landes Nordrhein-Westfalen
(Una corda / Lemoine)
berstend-starr (94) - version for orchestra
(unpublished)
Damenstimmen / Ladies Voices (95) after a text by Gertrude
Stein
Speaker, pno [German and English versions] (Una corda / Lemoine)
les
petites filles modèles (94/95) Chamber Opera for 4 voices, 2
dancers, pno, 2 perc., hrp
after la Comtesse de Ségur
Libretto : Caroline Gautier, Choregraphy: Pierre Droulers
Commissioned by Ministère de la Culture et de la Communication
(unpublished)
Tanz-Szenen (95) 2 percussions (unpublished)
under
one's breath (96) fl., hrp, viola - Commissioned by Sabeth Trio (Una
corda / Lemoine)
Rondo
(96/97)
vl. solo, chamber orchestra (1.1.1.1 / 2.2.2.1./ hrp, cel., 2 perc.,
/ 2.2.2.1.)
Commissioned by Ensemble Intercontemporain (Una corda / Lemoine)
Schöne Stellen (97) SATB (soloist voices) String quartet
- Commissioned by Biennale Hannover (unpublished)
kazabana
(98) oboe, cl. b., trp., trb., pno, (2)perc., vl., viola,
cello. - Commissioned by Ensemble Modern (Una corda / Lemoine)
Suite
(98) pno,
2 perc., hrp (Una corda / Lemoine)
in nomine
(99)
Ensemble (unpublished)
in nomine
(99)
Choir (and event. string orchestra) (unpublished)
tiento
(99) guitar solo, fl., cl. b., trp., trb., pno, vl., cello
- Commissioned by Ensemble Ictus (Una corda / Lemoine)
ato
(2000/2001) mezzo-soprano, pno (unpublished)
