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Giulio-Marco
Bordogni
(1789-1856)
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éditions musicales européennes
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Cité de la
musique, Paris
Samedi 30 juin 2007 14h -18h
"Conservatoire de Paris et technique instrumentale"
en partenariat avec le Historic
Brass Society
Bordogni et la
tradition du bel canto pour les instruments de la famille
des cuivres
Conférence de Benny Sluchin
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Bordogni and the bel canto
tradition for Brass Instruments
Bordogni's
vocalises for the development of the legato playing and breath
control has been used extensively since more than a century now. Many
known adaptations of this large corpus appeared in different parts of
the world but their origin seems to fade out today.
A vocalise is a
textless vocal exercise or concert piece to be sung to one or more
vowels. In the early 19th century, it became customary to sing simple
exercises and solfeggi with piano accompaniment. With the numerous
publications that followed, more elaborate compositions
appeared.
The presentation
focuses on the relationship voice-instrument in the second part of
the 19th and the beginning of the 20th centuries. Marco Bordogni
(1789-1856) will be examined as a performer, a teacher and a
composer. Principals of the sempre legato e portando la voce in
different vocal and instrumental methods will be examined.
Adaptations of his vocalises for different brass instruments are
closely related to the study material developed at this period.
Benny
Sluchin
tromboniste, Ensemble InterContemporain, chercheur, IRCAM (Institut
de Recherche et de Coordination Acoustique/Musique), Paris
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BOWLES Richard W. /
BORDOGNI Giulio-Marco (1789-1856)
008206 Contrapunctal
Duets (2 trombones) - 6Books (a - f)
pour la Méthode de Chant (The Complete Book of
Vocalises )
de G.M.BORDOGNI
008206a - 008206b -
008206c - 008206d - 008206e - Prix (M, chacun)
008206f - Prix (Q)
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